Wednesday 23 May 2018


The Bryant & May match factory in Bow

An essential stop-off on any walk around Bow is the former Bryant & May match factory, still a brooding presence on Fairfield Road. Once the scene of the historic match-girls strike of 1888, the buildings have now been converted into a swish apartment complex, only accessible through an electric gate…

Former match factory in Bow

In 1855 Bryant & May acquired a patent to manufacture safety matches from red phosphorus and potassium. In 1861 they opened the Fairfield Works in Bow, ideally situated as timber for the matches could be transported up the Lea Navigation Canal. By 1875 the firm employed over 5,600 workers.
                                                                                                       
Life for the girls who worked in the factory was hard. While Bryant & May’s shareholders enjoyed rich dividends, the ‘match girls’, as they were known, earned a paltry few shillings for a 12-hour day - most of it spent standing up. What’s more, their wages were subject to fines (for ‘crimes’ such as talking or having dirty feet) and other random deductions.



The statue of Gladstone that now stands near Bow Church was paid for by the workers. Each girl had a shilling docked from her wages to pay for its installation and employers then deprived them of another half a day’s wages by closing the factory for the unveiling ceremony.





Working conditions were poor. There were no refreshment breaks – the girls were forced to eat at benches contaminated by phosphorus. This meant they were constantly at risk of contracting "phossy
 jaw", a necrotic disease caused by the toxic white phosphorous on the matches. It burned the skin, caused breathlessness, jaundice and sickness - the gutters filled with luminous vomit when the girls finished their shift – and caused extensive tooth loss, leading to much pain and disfigurement.

A Fabian campaigner called Annie Besant decided to interview the factory girls about their experiences. She then used this material to write an article entitled “White Slavery in London”. In it she likens the Bow factory to a “prison-house” and describes the match girls as “white wage slaves” – “undersized”, “helpless” and “oppressed”. As well as exposing the horrors of the match industry in her writing, Besant also lobbied her well-connected friends to boycott Bryant & May matches.

In response to Besant's article, Bryant & May sacked any women they suspected of providing her with information, and the now famous Matchgirls’ Strike – a spontaneously organised walk-out by around 1500 female workers - began. Managers tried to force the match-women to condemn Besant. They refused, smuggling out a warning note: "Dear Lady, they have been trying to get the poor girls to say it is all lies that has been printed and to sign a paper…we will not sign."
Strike Committee (Besant back row, centre)

 The strikers elected six women to put forward their demands - a reinstatement of their sacked colleagues, an end to fines, and a separate dining-room away from the phosphorus fumes.


 After three weeks, following a barrage of adverse publicity, the owners were forced to give in. All the workers’ demands were met and the largest female union in the country had been born.
Although it was many years before Bryant & May stopped using lethal phosphorous in their product, the match girls’ demonstration of solidarity paid off for those coming after them. This first-ever attempt to organise unskilled female workers into a trade union was all the more remarkable as it came at a time when only 5% of the British labour force (mainly skilled workers) were union members. Inevitably, a wave of other strikes followed, including the gas-workers of West Ham in 1888 (striking for a reduction of their working day to 8 hours) and, in 1889, the great Dock Strike.


Bow Quarter today


The Bryant & May factory finally closed in 1979. In the mid-1980s the complex of buildings it occupied was converted into 600 apartments and today Bow Quarter is a highly sought-after address.











References:
London’s East End: Life and Traditions Jane Cox (1994)
The East End Nobody Knows Andrew Davies (1990)
East End Chronicles Ed Glinert book (2005)
‘Bow’s brave matchwomen honoured in anniversary celebrations’ at: www.bbc.co.uk/news/uk-england-london-22716263


Wednesday 2 May 2018


Hungerford Market

Though not as familiar a name as Smithfield, Billingsgate or Covent Garden, Hungerford Market was around for the best part of two centuries and stood on the site now occupied by Charing Cross and Embankment stations…



'Old' Hungerford Market 
By the 17th century, the Charing Cross and Strand area had become densely populated and needed itsown market. After a meeting held at 'le greyhounde taverne in le Strand’ to discuss the matter with local residents, a market – to be held on three days a week - was approved in 1678. Hungerford Market finally came into being in 1682. Funded by Sir Edward Hungerford, it was built on the site of his family house which had burnt down in 1669.







Unlike most London markets, Hungerford had no particular speciality.  It sold fish, meat, and all types of fruit and vegetables. After 1685, the area became very popular with the Huguenots and the market soon became known for selling ‘furren’ goods. In 1688 the large meeting hall upstairs became Hungerford Market Church and it remained a place of worship until 1754.






Hungerford Stairs (l and r). Blacking factory is on the right 
















By the beginning of the 19th century, however, the ‘old’ market - indeed the whole of the Charing Cross area - was looking decidedly down-at-heel. It was during this time that Charles Dickens was working at Warren’s Blacking-House at Old Hungerford Stairs. He described the building as a “… crazy, tumbledown old house, abutting of course on the river and literally overrun with rats.”




A new market company was established which acquired the site of the old market, together with the adjoining houses in Hungerford Street and a few in the Strand. Demolition of all these buildings began in 1820, and in 1831-3 a grand two-storeyed structure in classical Italianate style went up in their place.
Opening of New Hungerford Market 1833



 It was designed by Charles Fowler, architect of the new Covent Garden market buildings and opened with much pomp in July 1833, the occasion duly marked with a balloon ascent and an evening firework display.
The new market had a Great Hall measuring 188 feet by 123 feet with shops built along both sides of the hall and in the galleries above. The floor space was reserved for the sale of fresh fish and for other casual stall-holders.  The two end pavilions were used as inns. 



New market building with Brunel's bridge 1850
In 1841-5, Brunel was commissioned to build a pedestrian suspension bridge to serve the market, allowing easy access for the housewives of Southwark and Lambeth. Its brick and stone piers are still in place today, supporting the current Hungerford railway bridge. In 1851, a bazaar and art gallery were added. Henry Mayhew’s described the new market complex as “the great West-end emporium for fish (including periwinkles and shrimps), flesh and fowl”.




Demolition of 'new' market for Charing X development

In the end, however, New Hungerford Market was unable to challenge the dominance of Covent Garden and Billingsgate.  Critics thought it “of too general a character and attempts too much in trying to unite Leadenhall, Billingsgate, and Covent-garden Markets”.
As if to seal its fate, the market suffered extensive fire damage in 1854, and by 1860 was demolished to make way for Charing Cross Station. The Hungerford Railway Bridge we see today was completed in 1864 to replace Brunel’s earlier structure. Officially called "Charing Cross Bridge," the old name has remained in common use, and is now the only surviving reminder of the connection of the Hungerford family with this neighbourhood. 




References:
George Scharf’s London: Sketches & Watercolours of a Changing City 1820-50 Peter Jackson (1987)
Walking Dickens’s London Lee Jackson (2012)
Shepherd’s London J.F.C. Phillips (1976)
The London Doré Saw Eric de Maré (1973)
The Times History of London Hugh Clout (2004)